I doubt whether Björn Yttling does too much sitting around watching the Swedish equivalent of ‘ Homes Under the Hammer’ on his weekday mornings. He is, of course, one-third of the (still touring) Peter Bjorn and John , seemingly produces about half of new Nordic pop releases, and has now re-awakened his Yttling Jazz project for the first time in over a decade — we suspect the man’s concept of “a quiet weekend” involves conducting a small orchestra in his kitchen. His latest

We haven’t quite reached the point yet where we’re President of the Universe, but when we are we’ll of course mandate a number of key Nordic Music Review principles — the first of which we’ve been advocating since 2014: that all bands must be easily Googleable, or that some kind of galactic-wide database exists purely for our purposes in finding them. Because trying to find those extra little snippets of info we like to know whilst researching Swedish West Coast band Wild Oce

It’s been far too long since we last wrote about Phogg , but they’ve returned this year with a series of singles, all typically unpredictable — the latest being “ Mother’s Modern Son.” For a band we once described as a “ curiosity box of warped psychedelia, ” this new single feels like opening that same box in a dusty back room filled with lava lamps, melted candles, and at least one philosophical frog still pondering the meaning of fuzz pedals. The song opens with a flowing

Somewhere between the American West and a middle-class Swedish cul-de-sac (if their video is to be believed), Armadillo King  have once again set up camp — guitars slightly dusty, hats firmly in place, and this time hearts faintly bruised — with new track “Suburban Rose,”  a wistful look at lost love. It’s the start of another chapter in their cinematic world of Americana melancholy, the first song since their 2024 album “Revivals”.  This time we’re treated to that possibly